![]() Be careful to put glue on the stems, not the leaves. Better be safe than sorry.Īnd yes, glue the mint leaves too. The glue gun works great for smooth surfaces like glass but check everything twice. Glue every item of your still life to a background. Make sure that it’s a composition you like because later you won’t have a chance to change it.ĭo you like your composition? Yes? Now it’s time to fix it in place. Or add a cocktail glass with a straw to create the perfect mixture! Apples and oranges are good, but peaches and kiwis may be tricky. You can add other fruits with smooth surfaces. I like pictures that have a place to breathe, so I left a lot of empty space for splashes. Keep it simple and remember to leave some space for falling drops. Create the CompositionĪrrange your limes and acrylic ice cubes in a nice composition. You’ll clean everything up later so just enjoy the process! 4. Keep anything that can be damaged by water (not only gear but any papers and books, for example) away from the setup. The second is to accept the fact that it’s going to get out of control. Set a container directly beneath the scene to collect most of the water. First one is to take measures to avoid the mess. I found out that there are only two things I can do about the mess. The water drops in the middle of your camera lens can create unwanted marks in your photograph. Keep a UV filter on to protect it or have a microfiber cloth handy to clean the lens. Look out for the water on the camera lens too. Be cautious about the direction and speed of the water drops. Prepare a couple of towels and a stack of paper napkins. Pick a long focal lens to set your camera as far from the action as you can. Keep all electric equipment out of the possible way of water droplets. Remember to take care of the safety of your camera, lighting and other gear. ![]() So I set it as far from the action as I could and tried to keep the splashing water away from it. However, I wanted it to be a bright blue color, and the only blue thing I had was a big sheet of colored paper. It’s good if this material is waterproof. Wooden boards of any kind and narrow sheets of plywood will be your best friends here.įor a vertical backdrop, you can use anything with vibrant color. So don’t choose granite or marble backdrops.Īnd it must be made from a material that can survive a glue gun: acrylic and plastic backdrops are definitely out of the discussion. Pick a surface you can turn upside down without much effort. Worth keeping even if you’re not shooting something unusual and dynamic. ![]() They work great as general food photography backdrops too. I used two narrow wooden boards for interconnecting flooring. One to place the limes on and another to create a brightly colored background.įor the first one, it’s better to choose something narrow that you can easily take down. A vibrant background (preferably a washable and waterproof one) Ī note about backdrops – we need two.Horizontal backdrop (something narrow and lightweight).Still life items (lime slices, mint leaves, a couple of acrylic ice cubes, and maybe a martini or other cocktail glass).A transmitter or sync cable for your flashlight (optional).Pick Your Splash Photography Propsīesides the flash suitable for shooting at high speed we will need: I have to set the power of my speedlights at about 1/8 or even 1/128. You may need to lower the power of your flash a bit to reach a required impulse speed. Pick a Speedlight flash or a fast enough strobe.Īlso, check your manual and find if the impulse speed of your light source is at least over 1/4000s. This is the speed that helps freeze liquid in motion and keeps all the drops sharp and clear. In my experience, short enough flash duration for water splashes is about 1/4000th of a second. This shot should look like a black rectangular. To avoid blurred drops, take one shot with the speedlights turned off. This way, the camera sensor is only exposed to the light for the duration of the flash. If there’s no ambient light available, the flash is the only visible light source. ![]() It won’t matter if your shutter speed is set for 1/250 of a second or for a half a minute. The light will be hitting the sensor of your camera for only the amount of time the flash is working, lighting the scene. Since you are shooting in a dark setting (and you should!), the flash duration will become your shutter speed. It refers to the length of time that a flash emits light for a single burst. This is a characteristic of any flash or strobe. You can use anything that has a short enough flash duration though. These are affordable and easy to use solutions for frozen motion problems. In my case, the scene is lit with two SB-910 speedlights. You can use strobes or hot shoe flashes (speedlights). It must be suitable for shooting high-speed scenes such as photographing water drops. ![]() How to Freeze Motion for Splash Photographyįirst of all, we need a light source. ![]()
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